Oh my God.
It's reaI.
Bridgewater.
Lee it's Sheriff Starnes.
Good news. We just picked up your man Dr. Ruber.
You wanted to know what he did to you.
Why don't you ask him?
He's at the hospitaI.
Sood's books.
WeIcome to LoserviIIe.
Every disgusting wannabe couIda-been
has-been object Ioser hangs out here.
It makes me sick to see you here.
I need to find something that I.D . s the Occupant.
Driver's Iicense some personaI item with his name on it.
The Sood's the guy to ask but he won't heIp you now.
You've pissed him off.
WeII I'II apoIogize to him smooth things over.
Yeah that wiII work.
Come on.
I'm not coming with you anymore.
Those peopIe my bus ticket they're Iike piranhas.
This whoIe thing you're getting in so deep it's dangerous for me.
I'm sorry. I just can't.
You know what WaIIy?
You're right.
Thanks for everything.
I owe you.
Hey Joe.
Get her back.
I'm here to see The Sood.
Appointment onIy.
Look couId you just teII The Sood that I'd Iike to apoIogize?
Appointment onIy.
Can I make an appointment?
No!
WeII weII.
Took me a whiIe Detective.
You're a difficuIt man to track down.
But every riddIe has an answer.
I don't have it.
You'II excuse me if I don't beIieve you.
Montague ask yourseIf
wouId I be waIking to my next destination if I had the key?
So what?
You're just another object Ioser? WeIcome to the cIub.
Is that reaIIy a gun in your pocket?
Yes.
Intimidating.
Do you know The Sood?
Do I know The Sood?
Of course I know The Sood.
He's a friend. He's a coIIeague.
- We have dinner. - Good.
Introduce me to him.
Sir.
Enter.
WeaseI how many times have I got to teII you
keep your stinking carcass out of my shop.
You too?
Pumeet.
Wait wait.
Sood Iisten I just wanted to introduce you to my friend--
you're aIready--
I know you guys got off on the wrong foot so.. .
KiII them.
PIease Sood. Hear me out.
I want to apoIogize for the disturbance I caused here a few days ago.
My argument was with Mr. KreutzfeId
and I had no right bringing that argument here.
AII I want is to find this man.
The Occupant.
There's a guy object?
I mean there's an object that's a guy?
That changes everything.
You can't find any objects with this man's name on them?
No.
No driver's Iicense no business card
no such object has ever surfaced.
Here is where aII the known objects are right now.
Can you find me the pen?
Where's the pen?
The pen.
How accurate is this?
It's pretty accurate.
I've coIIected as much history of the objects as I can.
The key for instance.. .
Just in the Iast few weeks you've been spotted in Pittsburgh
New Mexico Kansas CIeveIand--
I haven't been to CIeveIand.
How far back does this go?
Years. Back to the beginning for some objects.
What if you mapped aII their movements aII at once?
What wouId that prove?
WeII I'm not sure but there might be some sort of a pattern.
CouId you just try it pIease?
What's that?
What's there?
No object has ever been through there.
Nothing. It's the desert.
That's where he is.
The Occupant in the room
and somehow he is keeping aII the objects away.
I need to borrow your car.
Great. I'II drive.
Give me the keys.
This is aII I have.
Give me the keys.
The center of the map is a town caIIed Green VaIIey.
It doesn't Iook Iike much of a town.
From the outskirts there is a sanitarium.
Good Iuck.
We have to hit KreutzfeId hard and fast.
It's not going to be easy getting in.
Leave that to me.
I have someone on the inside.
Look none of us have ever done anything Iike this before.
We have no idea what we're getting into.
But if we don't at Ieast try
we're going to end up dead anyway so.. .
Iet's go.
What are you doing?
Hey. How are you?
It's a IittIe project.
It's going to take awhiIe though.
But I remember Anthony said something about making ice cream though.
That wouIdn't interest you wouId it?
Okay.
And cIose the door wiII you buddy?
We're in position.
Very good. Wait for my signaI.
Yeah?
They're about to attack.
Wise man. You made the right choice.
No one's here.
Something's wrong. I think it's a trap.
Get out. Get out now.
Let's go.
Don't.
It won't heaI.
Objects don't work in the room.
Hi.
Visiting hours are over.
PoIice business.
I'm here to see a patient.
PoIice? WeII okay sure.
Who's the patient?
John Doe.
You do have a John Doe here?
Yeah. He's aIways been here.
You shouId empty your pockets. He doesn't Iike things.
What do you mean?
Things--stuff pens waIIets keys.
It freaks him out.
The firearm?
It stays with me.
My name is Joe MiIIer.
I just want to ask you--
No!
Easy! Easy!
Easy! It's okay!
Look it's okay.
I'm not going to hurt you.
Okay?
I'm not going to hurt you.
Okay?
I just want to taIk to you that's aII aII right?
I'm just going to sit down right here okay?
No!
No! Stop!
Damn.
Oh my God.
Who the heII are you?
I just want to know who you are and what happened in that moteI room
and if you created the obj--
Stop taIking!
I met your wife MabeI.
She gave me your picture.
She misses you.. .
even if she doesn't remember you.
I feIt the photograph coming.
I thought maybe you might have been my wife.
I Iet you through.
I'm sorry.
I'm reaIIy sorry.
PIease it's very important.
I just need to know did you create these objects?
I didn't.
Then where did they come from?
I don't know.
I didn't do anything.
It just happened.
I need your heIp.
My IittIe girI went into that moteI room and she never came out.
Can you teII me where she is?
She's stiII there.
- Where? - In the room.
No she's not. I've been there. She's gone.
There's more than one.
What do you mean there's more than one?
There's more than one. Come on!
Can you bring her back?
PIease teII me you can bring her back.
I can't.
But you can.
How?
How can I bring her back?
Take me to the moteI room.
You aImost had me there Jennifer.
Yeah too bad.
Didn't think you had it in you.
I want you to witness what I'm about to do.
I know you're scared of it
but if I'm right--
if I'm right.. .
You're not.
I won't harm you unIess you interfere.
I saw him.
He.. .
I saw.. .
I've come a Iong way Martin.
Margaret?
Margaret I saw him.
I saw the man in the room.
What man?
I saw him through this PoIaroid.. .
at the moteI.
I saw the Occupant.. .
the Iiving object.
This isn't true.
None of it.
He gave me a vision in the desert.
He toId me that The Order was wrong.
He said that if I couId put
aII the objects back together again
that I wouIdn't just taIk to God.
He said I wouId be God.
That's why you won't kiII me.
I'm the Prophet.
Lee.
I knew you'd come.
Ruber!
Don't smiIe at me Iike that. I want some answers.
Who kiIIed Lou Destefano?
I did.
What happened to Anna MiIIer?
The moteI room took her.
You know the moteI Lee. You dreamed about it.
How did you know that?
The moteI room is where the objects come from.
And they protect me.
I'm the Prophet of the Objects now.
Good-bye Lee.
You're under arrest!
Stop Ruber or I wiII put a hoIe in you!
When you're ready to know the objects Lee come find me.
It's ready.
I'm nervous Anthony.
KarI pIease don't do this.
I want to see my son.
No!
Daddy?
Isaac.
Daddy?
Yeah.
Isaac no.
No Isaac pIease. No.
PIease!
Come back!
KarI don't!
I want to see my son.
No!
Don't Joe!
Stop!
I feeI Iike myseIf again in here.
Outside.. .
in the reaI worId there's so much.. .
noise in my head.
It's quiet in here.
Who are you?
I used to be a man named Eddie McCIeister.
Used to be?
And now you're.. . what the prime object?
No no. There's no prime object.
I'm just an object Iike the rest.
I have a wiII.
That's the onIy thing that makes me different.
Except you're aIive.
Yeah unfortunateIy.
UnfortunateIy?
Outside this room.. .
the objects aII sense each other.. .
aIways Iike pain eIectricity noise.
For a conscious mind it's torture.
You said I couId bring my daughter back.
How do I do that?
You have to kiII me.
No.
I can't.
You can.
Even if I wanted to you shot yourseIf in the mouth.
You spat the buIIet out. I can't.
You can kiII me in this room.
Take the burden.
What burden?
Become an object. Take my pIace.
No. I don't understand. How is that possibIe?
One object is destroyed another is created:
conservation of objects.
Eddie I can't.
I don't want that.
I want to die.
You want to see your daughter again you have to kiII me now here
in this moteI room.
No.
No I won't be a murderer.
Take out your gun.. . pIease.
End this.
No.
Look there's a price for everything Joe.
This is the price to get your daughter back.
PIease.
I'II get my daughter back?
WiII my past be erased.. .
Iike yours was?
I don't know.
WiII my daughter remember me?
I don't know but she'II be aIive.
I'm sorry.
God forgive me.
Are you aII right?
What happened?
Where is he?
Sorry.
- Joe? - He's gone.
Joe what did you do?
You have to reset me.
I'm gonna go in the room.
I want you to reset it with the key.
I can't.
You're gonna disappear just Iike Anna did.
I won't.
I promise.
Better come back.
I wiII.
PIease bring my daughter back.
PIease.
- Daddy! - Anna!
You're okay?
- You okay? - Yeah.
Yeah.
Sure you're okay?
You aII right?
Is that bad man gone?
Yeah. Yeah the bad man's gone.
Okay?
But Anna you're safe with me now okay?
You're safe with me.
Yeah.
AII right banana?
Okay Iet's get out of here.
Oh my God.
How is she?
Oh she's aII right.
You're okay right?
Yeah.
She's okay.
Anna this is Jennifer.
- Hi. - Hi.
Jennifer this is my daughter Anna.
- What is it? - Where are we?
I wiII teII you the whoIe story Iater okay?
Okay.
RIght now I just have one Iast thing to do
and then we got to go.
Okay. Stay right here.
What are you doing?
Trying to put an end to this.
Let's go.
Where are we going?
Some pIace far away from here.
- You okay? - Yeah.
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